Study encouragement for The Addams Family, lining things up for Pit Episode 18 in script, wonderful results from pen pals and confusing results from online bystanders. Suggestion of postage stamps if one desires to send a gift. The repercussions of our implicit trust in “Mommy Internet”.
Retrospective via Milligan and Hecubus, Sam and Barnabas, gift of lingerie joke for Helena, Dr. Hoffman and Prof. Stokes romance, Clue-like scene in Hoffman’s office, Barnabas and Maggie’s romance.
Deep consideration of Willie Loomis’ character overall and his personal challenges between Dark Shadows and The Pit of Ultimate Dark Shadows.
The reasons for variations of Dark Shadows soundtracks in the confrontation scene between Willie and Barnabas, the challenge of the scene and the shock in how it came into being.
My favourite scene, thus far, in the whole series: Roger and Elizabeth opening the mail and discussing their supernatural relations in a down-to-earth fashion.
All the key points of importance in the final scene of Episode 14 with Wadsworth and Willie, reflections of Dark Shadows, modern life, storytelling, and our interconnection to each other.
Where to go from here: pride in new pen friends, encouragement to youth, invitation for more personal contact, and the reflection of Willie Loomis’ heroism reaching to his refusal to remain a bystander.
Theme for this podcast: "Paranya" by Silenzium (2011)
Why pen pals work and social media wastes time. Incorporating “Bewitched” into Episode 18. Social network history. Two books by Nicholas Carr.
Episode 12: Tons on regression therapy for Maggie Evans, music used. Healing Barnabas & Carolyn scene. Captain Gregg helping Sam Evans. Dr. Hoffman’s place in everything. Pivotal point with Lily Munster, Elizabeth and Tom Jennings. Milligan & Hecubus fun.
Episode 13: Purpose of dedication to Kathryn Leigh Scott and importance of her contributions and characters in Dark Shadows. My falling into the Julia/Barnabas trap and how a Julia/Barnabas fan, Helena Clara Bouchet, helped to pull me out of it. Incorporating much more “Clue” with Willie & Wadsworth, and the topic of Willie Loomis in general. Caleb Collins meeting with Lily and Elizabeth.
Why the Morticia scene with Victoria turned out the way that it did. Final scene with car race in construction between my occupations in vision therapy. (Osheen Nevoy’s response to the scene.) How music was chosen throughout podcast: Ennio Morricone, Verne Langdon, Stoa, Claudine Longet.
Better methods in communication, and how to make requests for potential MJD podcast, etc. All methods of which have been available since the 20th Century.
Theme song for this podcast: “All Night Long” by Peter Murphy (1988)
Talk about social media addiction with its ensuing paranoia. Continual gratitude to pen pals and describing their beautiful influence in my life. (I welcome more!)
Why and how constructive praise is important. The fun of watching First Year Dark Shadows. A little chat over 16 & 17 – Retrospective for episodes 8, 9, 10, and both parts of 11. Fair delving into characters from The Ghost and Mrs. Muir, The Addams Family, The Munsters, and Bewitched in The Pit; particularly Captain Gregg’s stormy weather – story building as well as technical aspects.
The fleshing out of Caleb Collins as based on evidence from the original Dark Shadows program and historical research in the Victorian time period.
Discussion on the marriage novel, “Margaret Josette Dupres” and delving into why the sharing of further chapters are (currently) suspended.
Welcome To The 21st Century – What A Disappointment.
Thanking pen pals for helping me to heal, explaining why that is important and discussing how the happy buttons ruined upbeat discourse in people over the years.
Plenty of lively assertions in why beating around the bush about having “no time” to chit-chat is ridiculous, particularly in regards to over-use of social media. Lackadaisical listings of informational resources that have been important in creating the series which might help listeners.
Presentation of where and how The Pit discussion questions are displayed, and why they are important for this fairly cerebral programming.
Starting retrospective from Episode 1: “Parapsychology” and on through Episode 7: “The Blair Warlock Projected”, with whatever nuances I felt were fun to point out at the time of this recording, including a few perspectives via reviews, different TV show and movie introductions per episode, technical aspects and inspirations. When the Barnabas and Maggie couple suddenly mattered so much and how performing the role of Barnabas Collins changed things irrevocably.
Finally, description about this experience for you and I, along with the details of why what’s happened with misinterpretation of myself, this project, and the expectations of what the internet is, has been detrimental to all involved, and how to break free from those ideas. For listeners using social media who disavow having an addiction? Too late: You’ve got one.
A “sickie” podcast for new pen pals and old listeners alike.
This is a very newsy and studious monologue. I’ll address what’s going on with the letter-writing method of listening to the series and knowing that many who want to hear this can’t always download or play it via having poor equipment.
Lots of discussions of people I’m talking with lately: Auntie, Jonah, etc.
Identifying interruption fan fiction and how it works with Osheen Nevoy and Lisa Weyenberg’s works as key examples.
Tons of spoilers for The Pit and later on a lot of spoilers for the marriage novel I’m creating in tandem. As per usual, this talk and explanation is quite cerebral, as well as moving back and forth discussion on various show characters being responsible for solutions in The Pit, including Endora and Uncle Arthur from “Bewitched”, as well as Wadsworth, Captain Gregg, Lily, and Morticia.
Plenty of goodies about Doctor Who coming into play for The Pit and exactly why he will.
Explaining the long wait for Episode 17. In this you can hear my laryngitis. In between rambles we have various details of events planned for Episode 17 and how channeling Beetlejuice affects me.
Studying with friends; Osheen and Lisa mentioned the most. Personal reflections and sad apologies to “Everyone”: fans, cast members, social network users. Possible reasons why the new technology is driving us all koo-koo. (Also some comparisons to Star Trek.)
Lots of fun insights about various characters and the deeper lesson Barnabas Collins teaches us from his own personal behaviour: Accountability.
Further updates with the marriage novel side-project, as well as the supernatural elements, including reincarnation.
Various interruptions were left in this update to allow a more human feeling.
Pink Floyd and The Bee Gees sing us into a major list of thank yous.
Lisa’s Interview: Her watching Dark Shadows since the age of five and beyond throughout the years. Kathleen Resch’s Concordances for Dark Shadows, and fanzines: “Inside The Old House”, “World of Dark Shadows”, “Wyndcliff Watch”, “The Music Box”, “Shadows of The Night” and how they were obtained.
When the fanwork shifted away from the original Dark Shadows program. Discussion of Lisa’s Dark Shadows fanwork, which is also relief for the characters. Reincarnation for Josette and fans of that romance with Barnabas being tongue-tied. Sharing our creation techniques. Important relevance for Kitty Soames. Reasons why Lisa’s work is *not* readily available online.
Other fandoms in The Pit and more. Personal reflections on the Harry Potter series, and the peer pressure to enjoy that entertainment as well as others. The fun of Lisa’s visit with us. Going through “Teen Screen” magazines. (Sorry, I keep calling it “Teen Scene”. The magazine is really called “Teen Screen”.)
All the things Lisa and I have in common in both creation and entertainment.
Summary of upcoming Episode 17 in The Pit of Ultimate Dark Shadows.
At the tail end of this podcast there is a lecture. It’s not a rant, it is a lecture. It’s not for the haters, it’s for “nice guys” who have actually done far more harm than good. For those of you who either hate me or love me, feel free to turn the podcast off when I say the word: “Farewell”.
And for all involved: understand that you have no obligation to listen to this or anything I’ve created. You have freedom of choice, and that is, and what has always been, precisely what the Internet is all about. Period.
A calm, fireside chat update for fans of The Pit. Delving into The Munsters, there is some discussion about type-casting, both for Fred Gwynne and Jonathan Frid especially. Reasons to celebrate the allure of Barnabas Collins rather than being offended by his romantic choices. How fans of the Barnabas/Maggie pairing are preferable to me and to each other. Touches on the mythos of The Vampire through Barnabas and Josette’s romance.
The general vibe seen from fans of The Addams Family as well as The Ghost and Mrs. Muir. A welcoming to more fans of Wadsworth and the film “Clue” due to how The Pit operates in lines and actions. Discussion of game play for the boardgame of “Clue” as well as classic games in “The Pit”.
More expression of exactly why file-sharing and buck-passing didn’t work and why we all thought it would for discussion. Welcoming fans of M*A*S*H and Beetlejuice as well as relieving any concern over the romantic pairings for this program.
Explanation of the human need to break-free from what social-media does to many people, and how to tap back into focus for more healthy interaction. Dismissal of the idea computers are no longer being made. Rekindling old face-to-face friendships, however few.
Most importantly: the joy in our own lives as a blessing in return for providing an atmosphere of love to characters on the screen who didn’t have it before.
As Milligan and Hecubus announce the introduction to this episode, they let us know who lives and who dies. Vampire-Angelique remains impolite to their sorrow. But carry on, they must! And they introduce us to a scene we’ve been awaiting with Doctor “Hawkeye” Pierce (however much I stink at performing an impression of Alan Alda).
As Doctor Hoffman comes to the unbearable realization of who is awaiting her in the autopsy room with Tom Jennings, Professor Stokes listens with complete intrigue. Tom is, of course, affronted to how he is being treated… until a familiar specter informs him of many things Tom is forced to take stock of in the afterlife.
All within The Old House may be cozy, but Vampire-Angelique waltzes in to wreak more havoc. Little does V’Angelique understand that her prey, Barnabas, has many arms about him and all are ready to oppose her intentions.
Bill Malloy’s memory, having been mentioned by Wadsworth, introduce Sam and Maggie to the scene. Sam shows appreciation for Bill. Maggie, as Josette, considers pity for her old friend, Angelique. It is at this point Josette’s loyalty to her old friend is questioned. (If anyone remembers from an early intro?) This is where Josette, finally, expresses her utter distaste in her marriage to Jeremiah. I’m sure many may understand what Maggie, as Josette, explains, even if none of us like to admit it!
Cousins Lily and Elizabeth are packing for their trip, and discuss the terms of what may be disclosed on their journey to England and Leslie’s whereabouts.
In order to combat V’Angelique in the future, Maggie ventures a meeting with The Ghost of Caleb Collins. The two have a great deal to discuss and both understand one another with their knowledge of the afterlife, as well as their shared love in the “kooks” of Collinwood. A resolution is reached here, and one many listeners may grin at.
Doctor Hoffman feels downcast and expresses why as Professor Stokes lends a sympathetic ear, that is, until he notices Doctor Hoffman hasn’t paid attention to how he feels about her. (Prepare for our celebratory tune in the middle of the episode instead of at the end and enjoy!)
As Barnabas bemoans the downfall of so much achievement, a small, familiar, and grizzled voice acquaints him with how to solve the situation. (Psst– Nobody says “The B-Word…”)
Our hosts are stunned at this outcome and then present the final scene, in which Vampire-Angelique comes to the terrifying understanding of what is laying in wait for her, and it isn’t Barnabas’ proposal of marriage.